Midnight Rebels writer NJ Bigornia produces heavy dance floor mechanics under the alias Jezrelle. He strips down chart-topping hits from groups like KATSEYE and BINI. His banger remixes inject high-impact sub-bass into familiar pop hooks. The crowds eat it up.
TL;DR Jezrelle reworks modern pop hits into massive dance floor weapons. Teaming with regional producers Nerf and Victor Jao, he flips tracks by KATSEYE and BINI into 140 dubstep, speed garage, and complextro. These specific modifications manipulate the original stems to deliver massive energy spikes across Philippine stages and SoundCloud algorithms.
Warping KATSEYE Into 140 Dubstep
Jezrelle teamed up with Dipolog native producer Nerf. Together they flipped ‘Gnarly’ by KATSEYE. The track caught solid traction in the SoundCloud algorithm before its official release.
The remix mashes gritty hyperpop elements with new-gen 140 BPM dubstep. Pink Slip (Kyle Buckley), Tim Randolph, HYBE founder “hitman” Bang (Bang Si-hyuk), and Slow Rabbit handled the original production. Nerf and Jezrelle completely warped that pop framework. They pitched the vocals and dropped them over heavy FM bass wubs and tight snare transients.
Accelerating BINI With Speed Garage
BPM dictates the dance floor. Jezrelle reworked ‘Cherry On Top’ by BINI just days after the drop. The original fuses bubblegum pop with a rigid 2-step garage foundation. It is a massive staple for the Blooms.
He injected a much faster tempo. He pushed the established garage swing into a frantic rhythm. Shintaro Yasuda, known for Le Sserafim’s “Antifragile”, and Skylar Mones, recognized for work with Dua Lipa and Ariana Grande, handled the polished original mix. Jezrelle time-stretched their pop stems into a relentless club tool. Fans track his growing catalog of flips as he pushes these edits out.
Wrecking Stages With Complextro Drops
The final transformation hits live crowds directly. Jezrelle collaborated with Cebu native Victor Jao. They tackled ‘Salamin, Salamin’ by BINI. This bootleg storms stages across the Philippines.
The production utilizes heavy sidechain compression. It relies on a chaotic but calculated complextro structure. The technical approach mirrors the chopped synth layouts of 2019-2023 Mo Falk or 2020-2023 Retrovision.
Mat Olavides and Bojam (Jumbo De Belen) of the Philippine production house FlipMusic managed the original pop stems. This bootleg strips away that standard arrangement. The duo prioritizes hard-hitting bass house growls and complex synth layering.
Technical DJ Tools And Downloads
Jezrelle engineered these edits specifically for live club deployment. Working DJs can integrate these heavy tracks directly into their sets. All three flips are available for free download.
- Salamin, Salamin by BINI (Jezrelle and Victor Jao Bootleg) runs at 128 BPM in F minor.
- Gnarly by KATSEYE (Jezrelle and Nerf Flip) hits at 140 BPM in G minor.
- Cherry On Top by BINI (Jezrelle Speed Garage Remix) pushes a frantic 145 BPM in C minor.
Bridging The Gap
Jezrelle proves that pop vocals and heavy dance mechanics belong together. He rips the stems from massive P-pop and K-pop anthems. He weaponizes them for the club. His bootlegs bridge the gap between commercial radio hooks and raw festival energy. The Philippine crowd demands hard-hitting bass drops. Jezrelle constantly delivers.
Follow Jezrelle on Spotify, Soundcloud and Instagram
* generate randomized username
- COMMENT_FIRST
- #1 Lord_Nikon [12]
- #2 Void_Reaper [10]
- #3 Cereal_Killer [10]
- #4 Dark_Pulse [9]
- #5 Void_Strike [8]
- #6 Phantom_Phreak [7]
- #7 Data_Drifter [7]
- #8 Zero_Cool [7]
